Harrison makes good use of an open tuning for his slide melodies-and the stacked major triads that it affords at any given fret-as he plays a lyrical melody that outlines the chord tones, swooping into them from below and letting notes at the same fret ring together on adjacent strings. In this angry-sounding solo, which starts at :49, he uses his slide to achieve a piercing, sustained, “singing” tone with plenty of bite. Harrison wasn’t a shredder by any means the magic resides in his note choices, structure, phrasing and emotional delivery-a trait he shared with David Gilmour and, to a lesser extent, B.B. Harrison’s playing can be heard on several Imagine tracks, including “Oh My Love,” “I Don’t Wanna Be a Soldier” and “How Do You Sleep?” He even plays a mean resonator on “Crippled Inside.” But there’s just something downright chilling about his slide work on “Gimme Some Truth,” a song the Beatles toyed with briefly during the Let It Be sessions. Lennon’s successful Imagine album marks one of the only times he recorded with Harrison after the breakup of the Fab Four (the pair also backed Ringo Starr on “I’m the Greatest” in 1973). Reprising his intro lick a whole step higher, now in F# and with a brighter, bridge-pickup tone, Harrison outlines his chord progression with a bold, slippery melody based on major, minor and diminished-seven arpeggios, the latter harmonized in thirds below the melody via an overdubbed second lead guitar. And while its gorgeous twin-slide motif and majestic, gripping solo might not be the most technically challenging things Harrison ever recorded, they boldly announced the arrival of “George Harrison: slide guitarist.” They also helped draw a set of blueprints that’s been used by other artists, including America ( “Sister Golden Hair”), Todd Rundgren ( “I Saw the Light”), Eric Carmen ( “All by Myself”) and Teenage Fanclub ( “The Cabbage”).ĭuring the solo (at 2:47), Harrison’s intonation and muting tidiness (very important when playing slide in standard tuning) are impeccable. Treasures abound at every turn, including “My Sweet Lord,” the album’s lead-off single. The album, considered one of the greatest releases in “solo Beatles” history, is packed with songs the guitarist had been stashing away since 1966, including a few that didn’t make it onto Beatles albums. Harrison, a junior songwriting partner to John Lennon and Paul McCartney for way too long, emerged from his bandmates’ colossal shadows with a masterpiece. "It was the last of our big journeys together, before an even bigger journey for George.All Things Must Pass caused a sonic boom when it was released in late 1970. "Our final visit to Letsbeavenue was in the year 2000," Olivia Harrison says. Inspired by the exoticism and simplicity of tropical life, George Harrison wrote the song "Gone Troppo," which contains the lines, "He smile, mucho in a sunshine / Highlife counting de fruit bat / Troppo, gone troppo.
George harrison greatest hits on youtube windows#
Being in the house, Harrison says, was "at times like being in a zoo, except we were the ones in the cage, because we'd get monitor lizards, kookaburras, wallabies and snakes at the windows looking in at us."
George harrison greatest hits on youtube full#
He said, I want it to be a jungle.' "īecause Hamilton Island has not been overdeveloped, it's full of antipodean creatures. He'd even take big trees and replant them. "He used to go around the island, nicking plants for our garden. "The tree trunk at the center of the living room he actually found on the island," says Harrison. The main house has the master bedroom, and there are three thatched guest huts, all of them built with bamboo and indigenous materials. He bought a lot of fertility objects, totems and tapa cloth." He liked sculpted objects-New Guinea art especially. Because the walls are curved, they were hard to decorate.
When he designed it, he wanted round thatched structures like bures. "He wanted the house to look natural, to fit in with the island landscape. "George liked the South Pacific look," Harrison says. His father, a former sailor, told George stories of the tropics, filling his head with Pacific imagery.